Mousumi Bhattacharyya is a distinguished Indian visual artist celebrated for her expressive figurative works in acrylic, oil, watercolour, pastels, and soft pastels. Trained under the guidance of Bibhas Roy, she made a bold transition from a science background to pursue art full-time after relocating to Delhi. There, she earned a diploma from the National School of Fine Arts, followed by an MA in Painting, cementing her formal foundation in the discipline. Bhattacharyya actively exhibits her work across India, showcasing her paintings at prestigious platforms such as the India Art Festival and the Speaking Art Festival. She is also a member of the Majlis Art Forum, furthering her engagement with the contemporary art community. Her work delves deeply into themes of womanhood, resilience, and emotional intensity, using colour and form to evoke profound human experiences.
In an exclusive conversation with The Interview World at Shabdotsav 2026, Bhattacharyya elaborates on the central focus of her exhibition pieces, reflects on her extensive practice and numerous exhibitions, and underscores the thematic core of her paintings. She also shares her perspectives on women’s active participation in the field of painting. The following are the key insights from her compelling discussion.
Q: What is the central subject of your paintings in this exhibition?
A: I have come from Udan to participate in this art camp, where the theme is Panch Parivartan, the Five Transformations. I have chosen to explore the idea of self-reliance.
India is pursuing numerous initiatives to foster self-reliance, and I believe this effort is essential. It holds profound significance for future generations, shaping the country’s path toward global leadership.
Through my painting, I aim to capture this vision. I want to celebrate India’s journey toward self-reliance and inspire a future where the nation stands strong, independent, and empowered.
Q: How long have you been painting?
A: I have been painting since childhood, nurturing a lifelong passion for art. In 2010, after my marriage, I moved from Bengal to Delhi with my husband. It was there that I began my professional journey as an artist. Alongside my practice, I taught young children, sharing the joy of creativity.
When the Covid-19 pandemic forced me to pause teaching, I turned fully to my own painting. This period became a turning point, allowing me to focus on developing my work and presenting it through exhibitions.
Q: Could you share the number of exhibitions in which you have participated?
A: I have participated in countless exhibitions over the years, though it is hard to put an exact number on them. Broadly speaking, I have showcased my work in more than 50 exhibitions across Delhi, Mumbai, and Kolkata. In addition, I have held several solo exhibitions, presenting my vision and artistic journey in a more intimate, focused setting.
Q: What is the main theme of your painting?
A: My work is usually woman-centric, and I paint to evoke joy. In a world filled with stress, I aim to awaken the “happy hormones”, oxytocin, serotonin, dopamine, through colour, form, and emotion. I want viewers to feel happiness, to carry a sense of lightness and love after experiencing my paintings.
As a woman, I believe empowerment is essential. In this piece, I have included three women’s faces, symbolizing progress, resilience, and the forward movement of women in society. I have also incorporated a pen nib, representing education, learning, and the power to advance. These are fundamental needs, the foundation of growth and self-reliance.
Beyond the personal and social, I have reflected India’s aspirations. The Mangalyaan, Chandrayaan missions, satellites, and the bullet train, all emblematic of the nation’s progress, find expression in my work. Through this painting, I strive to capture both individual empowerment and the larger journey of India moving boldly into the future.
Q: How do you perceive the evolution of women’s participation in painting, and do you feel this change is gaining momentum?
A: Change is underway. We are in the midst of a transition, and I am hopeful it will succeed. One day, women will claim their rights fully not just on paper, but in society itself. I hold that hope steadfastly.
